这种人 生活中是种悲哀 剧情也太扯了点 “You show the misery of the people, but not their struggle, and by not showing their struggle, you deny them the means of fight. Your cinema, your images and your sounds, are those of bourgeois TV and its revisionist allies.” 声音叙事超越一切语言，孤儿院的风铃和口哨，站在华盛顿广场指挥着车声、人流声等富有节奏感的噪音，警察抓铺流浪孩的嬉皮风格摇滚乐，教堂窗外打球者的喘息与球进篮筐的摩擦声谱写一系列音符，把情节冲突、气氛渲染推向高潮成为全家团聚的一种可能，然而过多缺乏关联的偶然事件让剧情很不合理 实在没有想到会是这么一个结局，“夜晚是最难熬的
